Tagged with video

The Emmy award-winning University Star

Lone Star Emmy 1

On November 5th, Parker Curtis and I headed to Houston for the 2011 Lone Star EMMY Awards. The University Star, the student newspaper at Texas State University, won in all three categories we were nominated in… go Star team!

COLLEGE/UNIVERSITY STUDENT PRODUCTION – SPORTS
Ride 2 Recovery
The University Star
Tina Phan, Photographer/Editor

COLLEGE/UNIVERSITY STUDENT PRODUCTION – ARTS AND ENTERTAINMENT/CULTURAL AFFAIRS
Haitian Amputee Soccer Team
The University Star
Tina Phan, Photographer/Editor
Parker Curtis, Photographer/Editor

(Andrew actually submitted a reel showing various work, but here’s one of the videos he produced for this years Fun Fun Fun Fest)
COLLEGE/UNIVERSITY STUDENT PRODUCTION – PHOTOGRAPHER
7Daily
The University Star
Andrew Goodwin, Photographer/Editor

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Parker and I had to run loops from the backstage area to the front of the stage since they named university categories out in sequential order. By the way, that golden EMMY statue Parker is holding is just a prop, and was swiftly taken away from us after the photo was shot. Students who win for university productions receive a strange engraved piece of glass as an award instead of the traditional statue. I like how they let you keep the envelopes they open on stage to announce the winner.

IMG_0001_glidecam
Andrew couldn’t attend the ceremony since he was covering Fun Fun Fun Fest in Austin/on stage with Childish Gambino at the time, but with the power of Photoshop, here’s what the photo would’ve looked like if Andrew was there too.

People sitting at tables near us were congratulating us and I recall one woman being rather puzzled when I was explaining to her that we were a student newspaper and not a student tv newscast. Another notable event: The Dallas Morning-News also won two EMMYS that night for Health/Science News Single Story and Military News Single Story. I just find it interesting that video being produced at newspapers are winning over some of the TV stories.

Thank you’s are definitely in order for the following people, as well as everyone else at The University Star and the people interviewed for the stories:

Scott Thomas, web editor 2009-2010. Scott and I essentially started the multimedia section at the Star in fall of 2009. I was a staff photographer and Scott asked me to be his assistant web editor. We really didn’t know what we were doing, as most of the time we were running around with cameras and troubleshooting Final Cut problems we’d never heard of, but I guess it worked out. Scott was the one who initiated this type of video storytelling at the Star. Before that, the Star’s previous web editor was doing a weekly TV newscast, so really none of this would be possible if it wasn’t for him.

David Nolan, senior lecturer at the School of Journalism and Mass Communication, is the catalyst in all of this. Scott and I did not know much about video until we were in Nolan’s Visual Storytelling class in Spring 2009. This was the first time I truly learned how to use a video camera and edit in Final Cut, as well as how to piece together a mini-documentary. I’d be totally lost if it wasn’t for what was taught this class.

Amanda Venable, the editor in chief 2009-2010, who let Scott and I tear down and rebuild the whole web and multimedia areas of the Star. It was also under her leadership when it was decided for a multimedia staff section to be created. By Spring 2010, a multimedia editor position was created and I was the first editor.

Allen Reed, the editor in chief 2010-2011, who really helped whip the multimedia section into shape and gave it so much more structure. Additionally, he would show me funny cat videos whenever I was feeling particularly overwhelmed by my workload.

Andrew Goodwin, multimedia editor 2011 through present, and my assistant multimedia editor in fall 2010… I didn’t even know work from newspapers could get entered for the EMMYS until he submitted a video he produced for the Star and got nominated in 2010. Granted, I helped start the section, but once Andrew became editor, there was a very noticeable jump in the quality of work being produced by the multimedia staff.

Parker Curtis, current assistant multimedia editor. The Emmy we won together was definitely team effort. When we were filming the Haitian Soccer Team story, he actually got stung by a bee (and didn’t seek medical attention/instead kept shooting as his hand swelled up, against my advice). During the editing process, he took the reins as I was out sick half the time with food poisoning.

Katie McGaha-Pruitt, assistant multimedia editor in spring 2011. I remember she was acting as editor for the day when I shot/produced the Ride 2 Recovery story. She helped me cut down interviews and made suggestions during the editing process until it was finished at 1:30 in the morning.

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The University Star Multimedia staff, Fall 2010
(L-R) Melina Cowan, Cecily Fish, Tina Phan, Matt Barnes, Andrew Goodwin, Katie McGaha-Pruitt, Parker Curtis, Fabian Juarez

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The University Star Multimedia staff, Spring 2011
(L-R) Andrew Goodwin, Katie McGaha-Pruitt, Parker Curtis, Tina Phan, Matt Barnes, Ramon Mejia, Eric Babin, David Castenada (Not pictured: Cecily Fish and Matthew Wright)

14/365: Multimedia Editor
I’m really honored to be a part of all this and help start this section.
-Tina Phan, multimedia editor – spring and fall 2010

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Mic ‘em up


Canon T2i. 50mm. f/1.4 @ 1/60. ISO 3200

I went back to Austin last week for an internship interview. Afterwards, headed over to Spiderhouse and saw my buddy Scott. This is him playing with my new Rode mic on his T2i. This looks like it could be an ad for Canon / Rode Mics / DSLRs with video.


Canon T2i. 50mm. f/1.4 @ 1/60. ISO 3200

If that’s true, I guess that means this pic could be an ad for Scott Thomas.

Ever since I got into this whole shooting video business, the hardest thing for me transitioning from being just a still photographer to a videographer is getting used to audio. I’ve been dealing with audio problems ever since I started shooting video about a year and a half ago on the Canon GL2s from my Video Production and Visual Storytelling classes. Different types of mics, audio filters in Final Cut, decibel ratings, mono vs. stereo, having to monitor sound/wear headphones while shooting…all new and horribly confusing things to me (even now still). The first ever mini-documentary I made for my Visual Storytelling class had really bad sound because I’d accidentally switched it from stereo to mono thinking that the M near the headphone jack stood for manual.

From August 2009 through the end of this past April, I’d been shooting DSLR video with my Canon T1i which could only use the on camera mic (no input for an external microphone). The audio was ok, nothing spectacular, but when it came to outdoor shoots and tons of wind noise, there really wasn’t anything I could do about it. I bought the Canon T2i in May and finally, a camera with stereo mini jack audio input!

The first microphone I bought was the Audio-Technica ATR-3350 Lavalier Omnidirectional Condenser Microphone on Amazon for $23.99 in June. I guess you get what you pay for… the first time I used it was for an interview with a member of Close Your Eyes, a local Abilene band at West Texas Hardcore Festival in mid-June. After reviewing my footage, I realized the first 2 minutes were fine but then for the remaining 8 minutes all I got was static. Another interview afterwards was all static too. I really don’t know what happened because the battery in it was fresh. Bad wire maybe? I haven’t had the heart to use it again with fear of messing up an interview.

This is exactly why Canon needs to add a headphone jack and allow a way for users to monitor audio while shooting video. I’ve been looking at some of the BeachTek DSLR Audio Adapter/Monitors but those are pretty pricy at $400ish.

A couple weeks ago, I bought the Rode VideoMic Directional Video Condenser Microphone w/Mount to use with my Canon T2i. It has a mount to go into the flash hotshoe on my DSLR. I bought mine off of Amazon for $149.00 with free two-day shipping with Amazon Prime and it comes with a 10 year warranty once you register it.


Taken with Nexus One camera

Not going to lie, my tiny Canon T2i body looks redonkulous with the Rode VideoMic Directional Video Condenser Microphone and w/ the Rode Deadcat Microphone Wind Muff ($39.00 @ Amazon) mounted on it.

It’s a good mic, I haven’t had any problems with it. My only gripe is the fact that the mount makes the mic stick out about 2 inches past the back of my camera body and consequently very very hard to shoot stills while shooting video (unless you want a weird imprint on your forehead.)

I did a story on the Big Country Idol (local American Idol) singing contest last week, and a video using the Rode VideoMic. Check it out:

Tina Phan/The Abilene Reporter-News
Canon T2i, 1080 @ 24fps
Canon EF 70-300mm f/4-5.6 IS USM
Tamron AF 28-75mm f/2.8
Rode VideoMic Directional Video Condenser Microphone

With all the background noise going on during the interviews, I probably should have used a high pass filter function on the mic.

Tina Phan/The Abilene Reporter-News
Canon T2i, 1080 @ 24fps
Canon EF 70-300mm f/4-5.6 IS USM
Tamron AF 28-75mm f/2.8
Rode VideoMic Directional Video Condenser Microphone + Rode Deadcat Microphone Wind Muff

Also shot with the Rode VideoMic for this video on a group of Abilene Firefighters training for the Firefighter Combat Challenge in Lubbock. It was a windy day so I used Rode Deadcat Microphone Wind Muff
. I find it funny/morbid that Rode also sells a smaller windscreen called Rode Dead Kitten Windscreen (instead of dead cat) to go on the Rode SVM Stereo Condenser Microphone. Another interesting thing about the Deadcat windscreen: leave your mic on your desk at work and so many people walk by and pet its furriness.

[UPDATE]
Apparently this exists now so you can have both the Rode VideoMic and a windscreen for $149.00:
Rode VideoMic with Fuzzy Windjammer Kit

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